Linked Open Usable Data for Cultural Heritage

Lists of Figures, Tables and Code Snippets

List of Figures

  1. Figure 2.1Map from the SGV_05 Collection Relating to Question 93 Showing Walks and Excursions at Pentecost. ASV. CAS. CC BY-NC 4.0
  2. Figure 2.2A photo Album Page from the SGV_10 Collection, Bearing the Following Inscription: Botanische Excursion ins Wallis, Pfingster 1928. SGV_10A_00031_015. Kreis Family. CAS. CC BY-NC 4.0
  3. Figure 2.3Picture from the SGV_12 Collection Showing Walkers Looking at the Timetable Train. [Wanderer studieren den Fahrplan in der Bahnhofhalle]. Lucerne, 1938. Ernst Brunner. SGV_12N_00716. CAS. CC BY-NC 4.0
  4. Figure 3.1Snapshot from the Swisscovery Platform Showing the Bibliographic Record of Zeng and Qin (2022)
  5. Figure 3.2The FRBR Conceptual Framework. Adapted from Zou et al. (2018, p. 36)
  6. Figure 3.3Overview of Relationships in LRM (Riva et al., 2017, p. 86)
  7. Figure 3.4OAIS Functional Model Diagram by Mathieualexhache (2021)
  8. Figure 3.5Global Overview of the Core Entities Defined by the RiC Conceptual Model. Slightly Adapted from https://github.com/ICA-EGAD/RiC-O
  9. Figure 3.6CIDOC-CRM Top-Level Categories by Bruseker et al. (2017, p. 112)
  10. Figure 3.7CIDOC-CRM Family of Models. Diagram done and provided by Maria Theodoridou (Institute of Computer Science, FORTH)
  11. Figure 3.8Overview of the Structures and Functions of KOS (Zeng, 2008, p. 161)
  12. Figure 3.9Knowledge Base Representation System Based on Patrón et al. (2011, p. 205)
  13. Figure 3.10Open Science Elements, Redrawn Slide from Presentation of Ana Persic [Morrison (2021) citing (Persic, 2021)]
  14. Figure 3.11The FAIRification Process. Adapted from GO FAIR (2016)
  15. Figure 3.12The FDO Model (European Commission. Directorate General for Research and Innovation., 2018)
  16. Figure 3.13Overlap and Difference between URI, URL, and URN
  17. Figure 3.14Types of Web Architectures: Client-server Model, Three Tier Model, SOA
  18. Figure 3.15The Semiotic Triangle by (Ogden & Richards, 1930).
  19. Figure 3.16Example of an RDF Graph
  20. Figure 3.17Tweaked Semantic Web Technology Layer Cake by Idehen (2017)
  21. Figure 3.18Structure of OWL 2 (W3C OWL Working Group, 2012)
  22. Figure 3.19Five-Star Deployment Scheme for Open Data
  23. Figure 3.20Example of a LOUD-Driven Infrastructure (Felsing et al., 2023, p. 43)
  24. Figure 3.21LOUD References Ordered by Year and α Sub-categories
  25. Figure 3.22LOUD References as Venn Diagrams for Each of the Six Intersections
  26. Figure 3.23IIIF Image API Order of Implementation (Appleby et al., 2020a)
  27. Figure 3.24IIIF Presentation API Data Model (Appleby et al., 2020b)
  28. Figure 3.25The Interaction of the Core IIIF APIs in Mirador
  29. Figure 3.26Cologny, Fondation Martin Bodmer, Cod. Bodmer 600a: The Life of Buddha, First Book (Shaka no Honji, jō) Embedded in Jalava, a Customised Client from Durham University Compliant with the IIIF Content State API
  30. Figure 3.27Example of a IIIF Architecture Implementing the Six APIs
  31. Figure 3.28Example of a IIIF Ecosystem of Software
  32. Figure 3.29Screenshot of the Cultural Japan Platform in the IIIF Guides
  33. Figure 3.30WADM High-level Overview (Sanderson et al., 2017)
  34. Figure 3.31Abstraction and Implementation Level of Linked Art. Adapted from Sanderson (2021)
  35. Figure 3.32Linked Art from 50,000 Feet [Raemy et al. (2023b) adapted from (Sanderson, 2020a)]
  36. Figure 3.33Linked Art Digital Integration: Possible Description of Available IIIF resources
  37. Figure 4.1Relationships Between Residual Categories, BOs, and Standardisation Attempts. Adapted from Star (2010)
  38. Figure 4.2Exploring Levels of Abstraction in LOUD Ecosystems: Integrating Societal Implications with the Concepts of Immediacy and Hypermediacy
  39. Figure 4.3The SLMS According to (Floridi, 2008)
  40. Figure 4.4A Sympoiesis of Theories: ANT Entangled with SK, BO, and PI
  41. Figure 5.1Research Outline Visual Template
  42. Figure 5.2Research Outline for Assessing the IIIF and Linked Art Practices
  43. Figure 5.3Research Outline for Deploying LOUD Standards in the PIA Project
  44. Figure 5.4Research Outline for Reviewing LOUD Implementation and Data Consistency within LUX
  45. Figure 6.1Overview of the IIIF Community
  46. Figure 6.2Stacked Bar Chart Showing IIIF Discovery TSG Meeting Attendance
  47. Figure 6.3Stacked Bar Chart Showing Linked Art Meeting Attendance
  48. Figure 6.4Illustrative Diagram of the GitHub-Based Process for Approving and Integrating Use Cases
  49. Figure 6.5Detailed Illustration of the GitHub-Enabled Approval Process by the TRC for the Image and Presentation APIs 3.0
  50. Figure 6.6Exploring IIIF Cookbook Recipes by Support with Gephi Lite
  51. Figure 6.7Exploring Linked Art Patterns by Category with Gephi Lite
  52. Figure 6.8Year of Involvement in the IIIF Community (Raemy, 2023a, p. 20)
  53. Figure 6.9Situating IIIF to Movements and Principles (Raemy, 2023a, p. 21)
  54. Figure 6.10Situating Linked Art to Movements and Principles (Raemy, 2023a, p. 22)
  55. Figure 7.1Overview of the Legacy SSFS Data Model
  56. Figure 7.2Synoptic View of the PIA Infrastructure: Showcasing its Connection to DSP and the CAS Photo Archive Website
  57. Figure 7.3Overview of the Updated CAS Data Model
  58. Figure 7.4Overview of the Legacy Automatic Annotation Workflow (Cornut et al., 2023, p. 12)
  59. Figure 7.5SGV_12N_08589 Displayed on Mirador with Machine-generated Annotations
  60. Figure 7.6Suggested Top-level Entities of the PIA Linked Art API
  61. Figure 7.7Boxes Holding Printed Photographs by Ernst Brunner According to his System of Classification
  62. Figure 7.8Ernst Brunner Thesaurus: Index Card of HY 59
  63. Figure 7.9The Main Actors and their Associations around the PIA Linked Art API
  64. Figure 7.10Overview of the IIIF Presentation API Workflow Proof of Concept at DaSCH
  65. Figure 8.1Snapshot of the LUX GUI (23 May 2024)
  66. Figure 8.2LUX Data Pipeline and Architecture
  67. Figure 8.3Annotated LUX Data Pipeline and Architecture
  68. Figure 8.4LUX Interviews: Key Topics and Their Relationships
  69. Figure 8.5Getty Vocabularies Term Presence in the YCBA and YUAG Digital Collections
  70. Figure 8.6Shared Terminology in YCBA and YUAG via Getty Vocabularies
  71. Figure 8.7Validation Results of IIIF Presentation API Resources from Yale (Sample)
  72. Figure B.1Enlarged view of The FRBR Conceptual Framework. Adapted from Zou et al. (2018, p. 36)
  73. Figure B.2Enlarged view of Overview of Relationships in LRM (Riva et al., 2017, p. 86)
  74. Figure B.3Enlarged view of The FDO Model (European Commission. Directorate General for Research and Innovation., 2018)
  75. Figure B.4Enlarged view of Example of a IIIF Architecture Implementing the Six APIs
  76. Figure B.5Enlarged view of Linked Art Digital Integration: Possible Description of Available IIIF resources
  77. Figure B.6Enlarged view of Overview of the IIIF Community
  78. Figure B.7Enlarged view of Stacked Bar Chart Showing IIIF Discovery TSG Meeting Attendance
  79. Figure B.8Enlarged view of Stacked Bar Chart Showing Linked Art Meeting Attendance
  80. Figure B.9Enlarged view of Exploring IIIF Cookbook Recipes by Support with Gephi Lite
  81. Figure B.10Enlarged view of Exploring Linked Art Patterns by Category with Gephi Lite
  82. Figure B.11Enlarged view of Overview of the Legacy SSFS Data Model
  83. Figure B.12Enlarged view of Synoptic View of the PIA Infrastructure: Showcasing its Connection to DSP and the CAS Photo Archive Website
  84. Figure B.13Enlarged view of Overview of the Updated CAS Data Model
  85. Figure B.14Enlarged view of Overview of the Legacy Automatic Annotation Workflow (Cornut et al., 2023, p. 12)
  86. Figure B.15Enlarged view of Overview of the IIIF Presentation API Workflow Proof of Concept at DaSCH

List of Tables

  1. Table 2.1PIA Team Core Members
  2. Table 3.1Types of Metadata According to Riley (2017, p. 7)
  3. Table 3.2Summary of Database Search Results on LOUD
  4. Table 3.3Summary of the LOUD Systematic Review
  5. Table 5.1Empirical Chapters: Research Axes and Scope Overview
  6. Table 7.1Exported Images Along with Their Respective Time-Based Metadata from Salsah (SGV_10 and SGV_12)
  7. Table 7.2Overview of Classes: Legacy and Updated Data Models and its Mapping to the Knora Base Ontology
  8. Table 7.3Relevance of IIIF Cookbook recipes to our resources. Adapted from (Raemy & Demleitner, 2023)
  9. Table 8.1LUX Interview Questions
  10. Table 8.2Validation Summary of Linked Art Example Endpoints and LUX Instances
  11. Table 8.3YCBA - Usage of Getty Controlled Vocabularies
  12. Table 8.4YUAG - Usage of Getty Controlled Vocabularies
  13. Table 8.5Base Yale Manifest URLs and Respective Versions Used for Validation
  14. Table A.1AI Tools used for the thesis

List of Code Snippets

  1. Code Snippet 3.1MARC21 Record of Zeng and Qin (2022) in the Swisscovery Platform
  2. Code Snippet 3.3Taxonomy Hierarchy
  3. Code Snippet 3.5Turtle Serialisation of the RDF Graph
  4. Code Snippet 3.6SPARQL Query Against the RDF Graph
  5. Code Snippet 3.7Example of using RDFS to Determine Class Membership and Property Definitions
  6. Code Snippet 3.8Example of a OWL-based Ontology
  7. Code Snippet 3.9Example of a SHACL Document in Turtle that can be Used to Validate the RDF Graph
  8. Code Snippet 3.10Example of a IIIF Manifest
  9. Code Snippet 3.11Example of a Level 2 Activity Compliant with the IIIF Change Discovery API Appleby et al. (2021)
  10. Code Snippet 3.12Example of Basic Annotation According to WADM Sanderson et al. (2017)
  11. Code Snippet 3.13Example of an Annotation According to WADM with a motivation and a purpose Sanderson et al. (2017)
  12. Code Snippet 3.14The Night Watch: Representation in the Linked Art Data Model Including URI; Class; Label; and Classification
  13. Code Snippet 3.15The Night Watch: Representation in the Linked Art Data Model Including Names; Identifiers; and Statements
  14. Code Snippet 3.16The Night Watch: Representation in the Linked Art Data Model Including Activities and Timespans
  15. Code Snippet 7.1SPARQL Query Executed on the DaSCH Fuseki Instance to Retrieve and Construct IIIF Image API URLs
  16. Code Snippet 7.2Example of Machine-generated Annotations in a IIIF setting from PIA
  17. Code Snippet 7.3IIIF Manifest with Two Images Painted onto the Same Canvas
  18. Code Snippet 7.4PIA IIIF Change Discovery API
  19. Code Snippet 7.5Modelling in Linked Art of a HumanMadeObject from the Kreis Family Collection
  20. Code Snippet 7.6Turtle Snippet of the Ernst Brunner Thesaurus: Brauch
  21. Code Snippet 8.1Command to Transcribe the Interviews into Audio Files Using Whisper
  22. Code Snippet 8.2Command to Convert Text files into Markdown with New Lines
  23. Code Snippet 8.3Validating a Linked Art Resource: Example Concept
  24. Code Snippet 8.4Validating a Linked Art Resource: Concept on LUX
  25. Code Snippet 8.5CURL Command Against a Local Instance of the IIIF Presentation API Validator
  26. Code Snippet 8.6JSON Responses against the Presentation API Validator: V2.1 Resource
  27. Code Snippet 8.7JSON Responses against the Presentation API Validator: V3.0 Resource